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Posted (edited)

So I finally did it!

 

In june i will have the access test which ive been preparing to for two whole years !!!!!! Im so excited i cant held the tears !! I have to submit several pieces for that and I want to share them with you, this is like a tiny 'concert' in which you can appreciate my development !!!!!!!

 

I ve already posted some of those pieces here, so some of you may already know them

I hope you like it !!!!!!!!!!!!!!!!!!!!!

 

(btw, the audio of the first score is broken somehow)

 

Edited by Samuel_vangogh
  • 2 weeks later...
Posted

wish I could see the scores... at 1'14 the cello (I think? or is it the viola?) phrase is very beautiful, at 2'35ff. beautiful chromatic tension. I don't know Fauré well, so maybe it's his style, but I think the piece could be even more impactful with, how do I say this, a more "punctuated" structure, more breathing between different phrases and episodes.

I like the warmth of the clarinet piece a lot. As before, I would think that sometimes musical phrases are very compressed one against the other. For example, at 44'' in the invention I would expect some kind of interruption of the flow in correspondence to the cadence, but the leading voice continues on.

At 1'05-1'10 of the tema con variaciones beautiful piano part and inganno! So interesting and intriguing the beginning of the variation at 3'...

Beautiful suite, great job and good luck!!

Posted
26 minutes ago, Giacomo925 said:

wish I could see the scores... at 1'14 the cello (I think? or is it the viola?) phrase is very beautiful, at 2'35ff. beautiful chromatic tension. I don't know Fauré well, so maybe it's his style, but I think the piece could be even more impactful with, how do I say this, a more "punctuated" structure, more breathing between different phrases and episodes.

I like the warmth of the clarinet piece a lot. As before, I would think that sometimes musical phrases are very compressed one against the other. For example, at 44'' in the invention I would expect some kind of interruption of the flow in correspondence to the cadence, but the leading voice continues on.

At 1'05-1'10 of the tema con variaciones beautiful piano part and inganno! So interesting and intriguing the beginning of the variation at 3'...

Beautiful suite, great job and good luck!!

 

Thank you! The Fauré Thing is a mistake! It is not suposed to Sound like Fauré!

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