Samuel_vangogh Posted April 15 Posted April 15 (edited) So I finally did it! In june i will have the access test which ive been preparing to for two whole years !!!!!! Im so excited i cant held the tears !! I have to submit several pieces for that and I want to share them with you, this is like a tiny 'concert' in which you can appreciate my development !!!!!!! I ve already posted some of those pieces here, so some of you may already know them I hope you like it !!!!!!!!!!!!!!!!!!!!! (btw, the audio of the first score is broken somehow) Edited April 15 by Samuel_vangogh MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu 1. Prèlude et Sonata à la Fauré Trio pour clarinete, alto et piano Invención Tema con Variaciones > next Quote
Giacomo925 Posted April 24 Posted April 24 wish I could see the scores... at 1'14 the cello (I think? or is it the viola?) phrase is very beautiful, at 2'35ff. beautiful chromatic tension. I don't know Fauré well, so maybe it's his style, but I think the piece could be even more impactful with, how do I say this, a more "punctuated" structure, more breathing between different phrases and episodes. I like the warmth of the clarinet piece a lot. As before, I would think that sometimes musical phrases are very compressed one against the other. For example, at 44'' in the invention I would expect some kind of interruption of the flow in correspondence to the cadence, but the leading voice continues on. At 1'05-1'10 of the tema con variaciones beautiful piano part and inganno! So interesting and intriguing the beginning of the variation at 3'... Beautiful suite, great job and good luck!! Quote
Samuel_vangogh Posted April 24 Author Posted April 24 26 minutes ago, Giacomo925 said: wish I could see the scores... at 1'14 the cello (I think? or is it the viola?) phrase is very beautiful, at 2'35ff. beautiful chromatic tension. I don't know Fauré well, so maybe it's his style, but I think the piece could be even more impactful with, how do I say this, a more "punctuated" structure, more breathing between different phrases and episodes. I like the warmth of the clarinet piece a lot. As before, I would think that sometimes musical phrases are very compressed one against the other. For example, at 44'' in the invention I would expect some kind of interruption of the flow in correspondence to the cadence, but the leading voice continues on. At 1'05-1'10 of the tema con variaciones beautiful piano part and inganno! So interesting and intriguing the beginning of the variation at 3'... Beautiful suite, great job and good luck!! Thank you! The Fauré Thing is a mistake! It is not suposed to Sound like Fauré! 1 Quote
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