Hi all. Have recently added a whole new section to my piece "The Dragon's Quest". Was trying to create a more exciting climax, by using call and response, with rapid changes in orchestral texture and modal colour.  The new material starts at 5'42", then mixes back into the old ending at 8'14". I'm still working on the score: so loads of enharmonic spelling errors remain. The pentatonic sections require Gbs instead of F#s, etc... Interested to hear what mental images it conj