Prelude and Fugue in D minor.

At last, after a languishing period of scant inspiration (though still modest in comparison to previous instances of composer's block I frequently suffered in the past), my creativity has once again blossomed into yet another prelude and fugue. This time, however, I decided to finally put my organ soundbanks to good use, and I cannot deny finding the results even more pleasant to the ear than otherwise relying on my harpsichord soundfont as has become usual in most of my renderings.

The a-posteriori title in German ("Heldenreise") is a reference to the Jungian concept of the "hero's journey", since I apodictically considered the prelude's dotted rhythms to convey a more hesitant demeanour than the fugue, as hinted by the character markings at the beginning of either movement.

Enjoy!

YouTube video link: 

I love the organ in this context.
The Prelude is very beautiful and I find the language very idiomatic for the instrument. And the final part as in sequence very appropriate for the transition to the fugue.
The subject is already extensive and interesting.
 From here on I just go with the sound. The counterpoint is very good.
It is good that in some passages the voices are thinned out.

A great job.

O sea enhorabuena.

Really good writing there! My one slight criticism is that I think it would better serve your music to use a higher quality organ sound.