Fermata Posted June 15 Share Posted June 15 Revision of an old exercise of mine composed on a given subject while experimenting in counterpoint in more than four parts. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Ricercata_a_6 > next PDF Ricercata_a_6_ 1 Quote Link to comment Share on other sites More sharing options...
Quinn St. Mark Posted June 18 Share Posted June 18 Wow, this is a really solid work, @Fermata! It sounds pretty complete to me; maybe it could benefit from the addition of some dynamics? Quote Link to comment Share on other sites More sharing options...
PeterthePapercomPoser Posted July 11 Share Posted July 11 Hi again @Fermata! Have you outdone our famous @Henry Ng Tsz Kiu with a 6 voice fugue of your own?! Quite an accomplishment and a joy to hear the complexity and intricacy. I like your episodes and modulations. I think besides @Quinn St. Mark's comment above about the addition of dynamics, I think you could also add a ritardando at the end and stay on the ultimate chord for a longer duration to really let the end sink in and let the listener really rejoice in the sound of completion. Thanks for sharing! 1 Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted July 22 Share Posted July 22 Hi @Fermata, As PaperthePetercomPoser mentioned my fugue, I know how hard it is to write for a six part fugue!!! I like your renaissance style here. Your transitions sound really Palestrina like with those smooth stepwise lines. Nice job! I don’t mind the dynamics as the number of voices already determine how loud or the thick the sound is! And finally as expected, I need to self advertise my 6 part fugue LoL! Thx for sharing! Henry Quote Link to comment Share on other sites More sharing options...
Rich Posted July 22 Share Posted July 22 Amazing to me--- a musical magic trick! Quote Link to comment Share on other sites More sharing options...
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