Fermata Posted June 15 Posted June 15 Revision of an old exercise of mine composed on a given subject while experimenting in counterpoint in more than four parts. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Ricercata_a_6 > next PDF Ricercata_a_6_ 1 Quote
Quinn St. Mark Posted June 18 Posted June 18 Wow, this is a really solid work, @Fermata! It sounds pretty complete to me; maybe it could benefit from the addition of some dynamics? Quote
PeterthePapercomPoser Posted July 11 Posted July 11 Hi again @Fermata! Have you outdone our famous @Henry Ng Tsz Kiu with a 6 voice fugue of your own?! Quite an accomplishment and a joy to hear the complexity and intricacy. I like your episodes and modulations. I think besides @Quinn St. Mark's comment above about the addition of dynamics, I think you could also add a ritardando at the end and stay on the ultimate chord for a longer duration to really let the end sink in and let the listener really rejoice in the sound of completion. Thanks for sharing! 1 Quote
Henry Ng Tsz Kiu Posted July 22 Posted July 22 Hi @Fermata, As PaperthePetercomPoser mentioned my fugue, I know how hard it is to write for a six part fugue!!! I like your renaissance style here. Your transitions sound really Palestrina like with those smooth stepwise lines. Nice job! I don’t mind the dynamics as the number of voices already determine how loud or the thick the sound is! And finally as expected, I need to self advertise my 6 part fugue LoL! Thx for sharing! Henry Quote
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