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I've finally finished this orchestral suite that I'd been working on forever.  It's sort of a pseudo-Baroque thing, though written for more of a Classical orchestra, and not always adhering to the forms of a Baroque suite.  I'd be interested to hear anyone's thoughts/comments/criticisms!

 

 

 

 

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Posted

Thanks for listening!  It's rare for suites for a solo instrument not to have a Courante or a Gigue, but orchestral suites seem to have been treated a little more freely.  There are plenty by Bach, Telemann, and Handel that omit them.

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