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  • 2 weeks later...
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Hi @Symphonic

Part I - there's lots of motion and overlapping ostinati with occasional changes in harmony that provide interest and a sense of slow progression/fruition.

Part II - presents a very tranquil and delicate atmosphere with a steady pace of descending harp arpeggios.  A pause and suddenly the same pace returns with slightly different harmony, this time extended by the marimba in place of the harp.  Oboe and clarinet provide some ascending melodic fragments that generate interest with some counterpoint in the high solo violin.  The descending harp ostinato returns with strings.  The glockenspiel provides some glimmering 4ths at the top of the texture.

Part III - I perceive this one as starting out as a call-back to part I.  I like 11:05 when the Flutes and oboes take over the ostinato, imitating each other - kinda like a rhythmic hocket.  I love the expressiveness and intense orchestration and sudden grand pause.  I perceive the end as being a kind of lament.

Thanks for sharing!

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