Luis Hernández Posted November 23 Posted November 23 Hello This is part of a series of pieces for strings. Totally inspired by Ärvo Pärt and the tintinnabuli technique.Whirlwind IV.pdf MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Whirlwind > next PDF Whirlwind IV Quote
PeterthePapercomPoser Posted November 27 Posted November 27 Hi @Luis Hernández! It's an interesting technique always having to have at least one voice having to use only chord factors. Can you change the chord that you're arpeggiating midway through the piece or are you stuck in B minor? It does make for melancholy and affecting music. Thanks for sharing! 1 Quote
Luis Hernández Posted November 27 Author Posted November 27 Hello Thank you for listening. The tintinnabuli technique (by Ärvo Pärt) usually develops the ENTIRE work on a triad and scale basis. Of course, you can do whatever you want and change the chord-scale. But as I am learning as deeply as possible this technique, I am following it ... 1 Quote
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