Adaptation for solo harpsichord concert

Happy Holidays to all!

Here's a 3 movement piece I've posted here before in orchestral/choral form; but I've recently adapted it for a solo harpsichord concert next year.

Not very experienced with harpsichord music: so I hope it makes sense!
The instrument will have two manuals, and a bunch of different stops and couplers (lute stop, etc...). 

Haven't decided which stops to use yet; but most of it will be on the standard 8', perhaps with some variation to make a contrast between thematic sections. 
The trills don't sound very nice in MuseScore's standard harpsichord. They're executed too fast, and without any subtleties of tempo variation within the trill. I wondered if there are any hidden settings that would improve them?

An interesting work.
I don't know if you mean it's going to be a concerto for harpsichord and orchestra, or as is.
I liked it very much, especially the middle movement.
The end of the Prelude I find a bit out of style because those big, fireworks-like arpeggios are more of late romanticism than the style that comes out here.
In the Chaconne there are some chords that sound a bit harsh, as in measure 11 and following. They sound more like clusters than chords with a baroque feel.
For although the work is chromatic in some parts, it is still tonal and very classical.

Thanks for posting.

44 minutes ago, Luis Hernández said:

I don't know if you mean it's going to be a concerto for harpsichord and orchestra, or as is.

Many thanks for listening!

It's going to be performed on a harpsichord in London's Handel House (where Handel lived for much of his life).

My original version had a harpsichord (and piano) with a large orchestra and choir; but that will probably never be performed!

I did try to work in a few modernist features just to mix it up a bit. I was aiming for some sort of modern and baroque fusion type thing. 
If they're too jarring, I could always get rid of them, and go for a more purist baroque style.

Hey @Alex Weidmann,

I think the Prelude is rather like a guitar piece haha, I don't know why. For the Fugue, I just don't get why it's a fugue 😛. I don't find the subject! For the Chaconne I like that you are increasing the intensity by having shorter note values in later passages just like a Baroque one. That's my fav. of the 3 movements. Thx for sharing!

Henry

11 hours ago, Henry Ng Tsz Kiu said:

For the Fugue, I just don't get why it's a fugue

Thanks for listening Henry!

It's not really a fugue, that's why I wrote "A Fugue (of sorts)". Just wasn't sure what else to call it?

It has some features of a fugue, in that more voices are added towards the end; but it doesn't follow the strict fugue form in any way.