UncleRed99 Posted February 26 Posted February 26 (edited) I went through and rearranged this piece to be more solo-worthy on Piano... How'd I do? (Not so versed in Solo piano composition, so trying to improve that here) Remembrance_for_Solo_Piano_-_Kyle_Hilton__UncleRed99 (1).pdf Edited February 26 by UncleRed99 Uploaded wrong files to begin with. Sorry! MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Remembrance_for_Solo_Piano_-_Kyle_Hilton__UncleRed99.custom_score (1) > next PDF Remembrance_for_Solo_Piano_-_Kyle_Hilton__UncleRed99 (1) Quote
Luis Hernández Posted March 2 Posted March 2 It is a very beautiful work, well written and with a dreamy and romantic character. What I find is that its parts, although they develop in some variations, are similar, except for the bridge of the G part. It's neither good nor bad, it's a style. But I like better not to rest so much on the basic harmony and go out a little bit. There are some very nice nuanced moments. For example, it sounds very good in measure 17 or 65 when A# and D are played at the same time. 1 Quote
UncleRed99 Posted March 6 Author Posted March 6 On 3/2/2025 at 2:45 PM, Luis Hernández said: It is a very beautiful work, well written and with a dreamy and romantic character. What I find is that its parts, although they develop in some variations, are similar, except for the bridge of the G part. It's neither good nor bad, it's a style. But I like better not to rest so much on the basic harmony and go out a little bit. There are some very nice nuanced moments. For example, it sounds very good in measure 17 or 65 when A# and D are played at the same time. I appreciate the feedback, for sure. I have also noticed that my ability to add variation can be challenged with some pieces of mine. I've recently went back over some old material from when I was in school for Music Theory. This has dug up some of the knowledge I had about effective uses of the circle of fifths, inversions, and modulation that I will be incorporating moving forward to make even the more nuanced pieces of mine have a bit more color in the way the harmonies and progressions work with each other. Feedback of this nature is helpful and I appreciate it from anyone who's willing to take time to give it 🙂 Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.