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Posted (edited)

I went through and rearranged this piece to be more solo-worthy on Piano... How'd I do? (Not so versed in Solo piano composition, so trying to improve that here)

 

Remembrance_for_Solo_Piano_-_Kyle_Hilton__UncleRed99 (1).pdf

Edited by UncleRed99
Uploaded wrong files to begin with. Sorry!
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Posted

It is a very beautiful work, well written and with a dreamy and romantic character.
What I find is that its parts, although they develop in some variations, are similar, except for the bridge of the G part.
It's neither good nor bad, it's a style. But I like better not to rest so much on the basic harmony and go out a little bit.

There are some very nice nuanced moments.
For example, it sounds very good in measure 17 or 65 when A# and D are played at the same time.

 

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Posted
On 3/2/2025 at 2:45 PM, Luis Hernández said:

It is a very beautiful work, well written and with a dreamy and romantic character.
What I find is that its parts, although they develop in some variations, are similar, except for the bridge of the G part.
It's neither good nor bad, it's a style. But I like better not to rest so much on the basic harmony and go out a little bit.

There are some very nice nuanced moments.
For example, it sounds very good in measure 17 or 65 when A# and D are played at the same time.

 

 

I appreciate the feedback, for sure. 

I have also noticed that my ability to add variation can be challenged with some pieces of mine. I've recently went back over some old material from when I was in school for Music Theory. This has dug up some of the knowledge I had about effective uses of the circle of fifths, inversions, and modulation that I will be incorporating moving forward to make even the more nuanced pieces of mine have a bit more color in the way the harmonies and progressions work with each other. 

Feedback of this nature is helpful and I appreciate it from anyone who's willing to take time to give it 🙂

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