Atlantis_ Posted Friday at 12:53 PM Posted Friday at 12:53 PM The melody sounds fascinating, melancholy, and mysterious. In some areas, it almost sounds similar to Yanni, especially around bar 51. 1 Quote
Thatguy v2.0 Posted Saturday at 01:18 AM Posted Saturday at 01:18 AM Very nice! One thing you could do is raise the velocity in the RH slightly to make the melody shine a bit more, but as always, beautifully done. 🙂 1 Quote
Henry Ng Tsz Kiu Posted Saturday at 09:20 AM Posted Saturday at 09:20 AM Hey Kyle @UncleRed99, I agree with @Thatguy v2.0 for the right hand volume, it can be louder. Having listened to the orchestrated version, I love this version as well. Usually I don't like any piano transcription of orchestral pieces but this one is a piano piece in its own right. For me I think you can change the left accompaniment a bit as well for a 7 minute piece, but this one is nitpicky. Thx for your arrangement! Henry 1 Quote
UncleRed99 Posted Saturday at 11:13 AM Author Posted Saturday at 11:13 AM (edited) On 4/5/2025 at 1:18 AM, Thatguy v2.0 said: Very nice! One thing you could do is raise the velocity in the RH slightly to make the melody shine a bit more, but as always, beautifully done. 🙂 Expand You know, Peter mentioned that, and that is something I did in this update 😅 as it sits, listening to the playback, Personally I don’t see how much louder the right hand could be without it overpowering the left since I’m using musescore with VSTs, there isn’t any settings for velocity on each note like there would be if I were using SF3 or SF2 sound fonts. So what I did was copy/paste the piano part on a new grand staff, selected all left hand notes removed “pedal lines” from the selection filter, silenced them by unchecking “Play” in properties. Then I isolated Piano 1 and piano 2 to their own part tab, and adjusted the timbre / Reverb / Tightness in the Spitfire LABS windows, and added MuseFX EQ To the master track in muse mixer. Edited Saturday at 11:14 AM by UncleRed99 1 Quote
UncleRed99 Posted Saturday at 11:24 AM Author Posted Saturday at 11:24 AM On 4/5/2025 at 9:20 AM, Henry Ng Tsz Kiu said: Hey Kyle @UncleRed99, I agree with @Thatguy v2.0 for the right hand volume, it can be louder. Having listened to the orchestrated version, I love this version as well. Usually I don't like any piano transcription of orchestral pieces but this one is a piano piece in its own right. For me I think you can change the left accompaniment a bit as well for a 7 minute piece, but this one is nitpicky. Thx for your arrangement! Henry Expand Okay now two people are saying it so I must be crazy 😂😂😂 also I’m glad that I was able to create something that worked both with a strings orchestra accompaniment and without that you were able to enjoy 🙂 Quote
Thatguy v2.0 Posted Saturday at 08:22 PM Posted Saturday at 08:22 PM On 4/5/2025 at 11:13 AM, UncleRed99 said: since I’m using musescore with VSTs, there isn’t any settings for velocity on each note like there would be if I were using SF3 or SF2 sound fonts. So what I did was copy/paste the piano part on a new grand staff, selected all left hand notes removed “pedal lines” from the selection filter, silenced them by unchecking “Play” in properties. Then I isolated Piano 1 and piano 2 to their own part tab, and adjusted the timbre / Reverb / Tightness in the Spitfire LABS windows, and added MuseFX EQ To the master track in muse mixer. Expand Oh I didn't realize you were using notation software for all of this. I use Sibelius, and am unfamiliar with musescore, but can you use dynamic markers for different staves? A performer would know to bring out the RH, but in Sibelius you can write mf for the treble and p for the LH for example. Maybe something like that could work? You might have to make adjustments during the piece if that's the case, but what the score looks like for computer performance versus what it would like for a pianist might be different. 1 Quote
UncleRed99 Posted 11 hours ago Author Posted 11 hours ago On 4/5/2025 at 8:22 PM, Thatguy v2.0 said: Oh I didn't realize you were using notation software for all of this. I use Sibelius, and am unfamiliar with musescore, but can you use dynamic markers for different staves? A performer would know to bring out the RH, but in Sibelius you can write mf for the treble and p for the LH for example. Maybe something like that could work? You might have to make adjustments during the piece if that's the case, but what the score looks like for computer performance versus what it would like for a pianist might be different. Expand Yes, I could tell musescore to only apply dynamics to the staff they're attached to, however, this would mean going back through the whole piece to add dynamics to both staves of the piano xD But yes, I use only Musescore to write music. Not so familiar with anything else, and the Muse Sound Engine is quite complex as it is. I believe it serves its purpose very well 🙂 Especially since I included the use of Spitfire LABS VST3 sounds on top of muse. I've also heard a lot about sibelius. How is that program? I understand it's a paid software. Muse provides their notation program for free, with a very solid team of devs on Github who are actively listening daily to the users. My old band director and I still talk time to time. He swears by Sibelius. lol Just wondering if it might be worth it to switch but I'm currently enjoying Musescore well enough... Only caveat I've noticed is larger orchestra scores tend to freeze quite frequently when making edits. How does Sib. respond to that? Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.