Atlantis_ Posted yesterday at 12:53 PM Posted yesterday at 12:53 PM The melody sounds fascinating, melancholy, and mysterious. In some areas, it almost sounds similar to Yanni, especially around bar 51. 1 Quote
Thatguy v2.0 Posted 22 hours ago Posted 22 hours ago Very nice! One thing you could do is raise the velocity in the RH slightly to make the melody shine a bit more, but as always, beautifully done. 🙂 1 Quote
Henry Ng Tsz Kiu Posted 14 hours ago Posted 14 hours ago Hey Kyle @UncleRed99, I agree with @Thatguy v2.0 for the right hand volume, it can be louder. Having listened to the orchestrated version, I love this version as well. Usually I don't like any piano transcription of orchestral pieces but this one is a piano piece in its own right. For me I think you can change the left accompaniment a bit as well for a 7 minute piece, but this one is nitpicky. Thx for your arrangement! Henry 1 Quote
UncleRed99 Posted 12 hours ago Author Posted 12 hours ago (edited) 9 hours ago, Thatguy v2.0 said: Very nice! One thing you could do is raise the velocity in the RH slightly to make the melody shine a bit more, but as always, beautifully done. 🙂 You know, Peter mentioned that, and that is something I did in this update 😅 as it sits, listening to the playback, Personally I don’t see how much louder the right hand could be without it overpowering the left since I’m using musescore with VSTs, there isn’t any settings for velocity on each note like there would be if I were using SF3 or SF2 sound fonts. So what I did was copy/paste the piano part on a new grand staff, selected all left hand notes removed “pedal lines” from the selection filter, silenced them by unchecking “Play” in properties. Then I isolated Piano 1 and piano 2 to their own part tab, and adjusted the timbre / Reverb / Tightness in the Spitfire LABS windows, and added MuseFX EQ To the master track in muse mixer. Edited 12 hours ago by UncleRed99 1 Quote
UncleRed99 Posted 12 hours ago Author Posted 12 hours ago 2 hours ago, Henry Ng Tsz Kiu said: Hey Kyle @UncleRed99, I agree with @Thatguy v2.0 for the right hand volume, it can be louder. Having listened to the orchestrated version, I love this version as well. Usually I don't like any piano transcription of orchestral pieces but this one is a piano piece in its own right. For me I think you can change the left accompaniment a bit as well for a 7 minute piece, but this one is nitpicky. Thx for your arrangement! Henry Okay now two people are saying it so I must be crazy 😂😂😂 also I’m glad that I was able to create something that worked both with a strings orchestra accompaniment and without that you were able to enjoy 🙂 Quote
Thatguy v2.0 Posted 3 hours ago Posted 3 hours ago 9 hours ago, UncleRed99 said: since I’m using musescore with VSTs, there isn’t any settings for velocity on each note like there would be if I were using SF3 or SF2 sound fonts. So what I did was copy/paste the piano part on a new grand staff, selected all left hand notes removed “pedal lines” from the selection filter, silenced them by unchecking “Play” in properties. Then I isolated Piano 1 and piano 2 to their own part tab, and adjusted the timbre / Reverb / Tightness in the Spitfire LABS windows, and added MuseFX EQ To the master track in muse mixer. Oh I didn't realize you were using notation software for all of this. I use Sibelius, and am unfamiliar with musescore, but can you use dynamic markers for different staves? A performer would know to bring out the RH, but in Sibelius you can write mf for the treble and p for the LH for example. Maybe something like that could work? You might have to make adjustments during the piece if that's the case, but what the score looks like for computer performance versus what it would like for a pianist might be different. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.