Poem of love and evil (looking for feedback and analysis)

anyways, this is a tone poem that is performed like any other concert piece. The piece itself is pretty long and every act spans from 18 to 30 minutes each. It should be performed like an opera or a ballet, despite there being no acting or dancing involved.

instrumentation notes

There are three oboes in total. All three double on bass oboe in the first movement.

• The first clarinet part has two players:

• One playing the upper line.

• One playing the lower line, doubling on piccolo clarinet in the first movement.

• Throughout the piece, both oboes and clarinets will need to switch back to their primary instruments at various points.

This is act one out of four and I am still revising them so I could put them on here anyways here are the performance notes:

The act opens with Prelude to the Heart, hinting at the emotional turmoil ahead. Ross’s theme, The Solitude of Ross, explores his quiet longing, while The Jesters (Tobias and Percival) add lighthearted moments of friendship. The arrival of Aldric, The Manipulator, disrupts Ross’s world, introducing him as the antagonist who plays mind games with Ross. Meanwhile, The Council of Shadows represents the complicated dynamics of Ross’s social group. Orson, The Disruptor, causes further tension, while The Mocking Wind symbolizes the cruelty Ross faces. However, it’s Selene, The Light in the Mist, who captures his heart, leading to a deep emotional connection in The First Glance.Ross’s feelings intensify in Eclipsed by Desire as he falls deeper in love. In the midst of his growing affection, The Gathering brings subtle tensions to the surface, and The Quiet Northern Winds reflect Ross’s inner turmoil.The turning point comes with The Shadows of Mockery, as Malcom and his followers begin to torment Ross, leading to The Great Deception—a moment of cruel betrayal. Ross retreats into Reflections in Silence, contemplating his situation, while at the Spring ball intensifies the emotional conflict. The act closes with Florence’s introduction as The Siren’s Call, adding another layer of complication to Ross’s feelings for Selene.

Hey @Fruit hunter!

Very interesting music!  I think when writing a programmatic work like this, it is important to be able to involve the audience more in the story that you want to convey with the music.  In other words, you want to give the audience an idea of what it is that they should be listening for.  I can see in your score that you are working with thematic leitmotifs.  As a casual first-time listener to this work I find those themes hard to pick out and hear.  Perhaps, you could give the listener an introduction to each melody in isolation and associate it clearly in the audience's mind with the character you want it to represent?  Maybe you already do that and I'm just missing it or not getting it?  One thing that certainly seems to be the strength of the composition is the orchestration though!  Thanks for sharing!

Well Done Fruit hunter...........youve got what it takes.........

Its obvious to me that you : THINK like a CONDUCTOR.

2 hours ago, PeterthePapercomPoser said:

I can see in your score that you are working with thematic leitmotifs.

Peter i have to say that : ............Your "Analysis & Documentation" of various composers here,

is always presented & Displayed in a Professional manner, thats very similar in style to Most Magazines & TV Documentaries.