TheMeaningofLIfe Posted June 19, 2007 Posted June 19, 2007 Well if the title didn't blow your brain I hope this does. It is a great way to create interesting tonal sounds. The midi is for the two examples. If you have any questions don't be afraid to ask. With hopes you'll learn somehthing from this.:) Karl p.s.If you are after Zelda sounds then dorian is a great place to start and these pentatonics work great for it.:( Finale 2007c - [Lesson on Modal Tritone Pentatonics].pdf midi.MID PDF Finale 2007c - [Lesson on Modal Tritone Pentatonics]
spherenine Posted June 19, 2007 Posted June 19, 2007 I already said that I thought that this was a good lesson in another thread, but I'll say more about it here. I too enjoy forming scales in similar manners, but I never really thought of the method which you outline in this lesson. Looking at the scales that are formed, many are modes of exotic scales which I use, and approaching them from this theoretical perspective will surely open up some compositional doors. Aye.
TheMeaningofLIfe Posted June 19, 2007 Author Posted June 19, 2007 I already said that I thought that this was a good lesson in another thread, but I'll say more about it here. I too enjoy forming scales in similar manners, but I never really thought of the method which you outline in this lesson. Looking at the scales that are formed, many are modes of exotic scales which I use, and approaching them from this theoretical perspective will surely open up some compositional doors.Aye. Well I'm glad I'm not alone here.;) I did exactly what you did and then I realized I can turn it into a process making my life easeir.
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