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Posted
"Impractical"! Ha ha! I love that description! So true. :D

Seriously, you take already oxygen deprived and thumb dislocated bassoonists and give them a couple of tongue depressers to rattle their brain around....to think, someone had to wake up one morning and say to themselves, "this is a good idea."

sorry for the perhaps off-topic post, as much as i hate it...i love it, lol.

Posted

*sniffs around* Hmm... I didn't already post in here... well, for me, I really can't choose. For sound, I'd really say I love the cor anglais the best, but it can only do so much. It's not very good at stepping out of it's often lyrical character from what I've heard. I'd say next comes bassoon, then alto or bass flute. Actually, in comparison, I'd say alto flute has a stronger lower register than C flute... not that either could be heard over an orchetra or anything. And also... tenor and bass recorder are also pretty cool, as is soprano sax. :cool:

Posted

In my opinion, the common concert flute in the right hands has an incredibly flexible array of timbres.

Especially when there are four of them playing in unison admist a Mahler Symphony.

(I refer to No. 4)

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