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Showing results for tags 'action'.
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Finally, This is the completed 30 Minutes of Action Music I have been composing for a long time. Mostly composed using Ableton the 30 minutes includes suspense and almost frightening like build ups. It includes very sudden or "exciting" key changes that reminds everyone of the peak of an action movie or a war movie, going up a minor 3rd interval in a huge key change C to Eflat for example can give the audience a real engaging rush. Going up a semi tone like a key change builds tension if written appropriately, it must be composed very carefully to achieve this "EPIC" thrilling key change. Then changing up a full tone. changing keys up a tone if done well can give a simular effect however relies heavily on orchestration and careful phasing from the instruments to resolve/build the suspense up a tone.
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Hi guyyys, hear is my abomination of an action Theme. I only used free VSTs and I had to compress the file quite a bit, so the audio might suffer a bit. (Also sry if my English is bad, it´s not my native language.) -
This is an Action Suite I composed, it uses mostly brass with heavy string sections.
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Hey Guys! I'm new here and I'm glad I found this forum. Can't wait to share opinions on composing. I recently took part in the Spitfire Audio | Westworld Composition Competition, where it was needed to create a score for a car chase sequence. https://www.youtube.com/watch?v=AKu0-OV1CkQ I am deeply influenced by John Williams ( as a modern film composer), Prokofiev, Stravinsky and Debussy ( as the oldest ones 😉) Did some of you participated as well?- 1 reply
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Im new to this forum so this is my first submission here. Action/drama track with strings and percussion with slightly developments. (Im not sure if it needs more development or works as is...any idea?) Cheers, Danny
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Hi there, for a long time I wanted to write something like this: a flamboyant "final fight" track with broad, heroic themes swirling above driving ostinati. http://www.soundclick.com/bands/page_songInfo.cfm?bandID=674265&songID=13676086 Originally this piece belongs to the score I wrote for a student film project realised many many years ago. The music was produced via a MIDI-based digital sequencer and of course orchestral sample libraries. Unfortunately, the London Symphony Orchestra was just too busy at the moment for a recording session. :P While the last bars in asymmetrical 7/8 meter surely feel a bit overloaded (with syncopated choir fills and such), I am quite happy with the overall arrangement and the final mix. But maybe I am a little bit biased since I listened to it too often and it's just chaos to your ears... 😉 If you have some hints on how to improve the mix, sound, orchestration etc. please feel free to let me know. Best regards, Dustin
