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Found 1 result

  1. Luis Hernández
    I have been reviewing the perpetual or infinite canon technique. It is described here if anyone is interested: https://komptools.blogspot.com/2025/03/canon-infinito-i-infinite-canon-canon.html The truth is that there are not many examples in the repertoire. I'm interested in trying to incorporate the technique in other types of compositions. I have written quite a few, looking for ways to take advantage of the material. So, for example, in this canon I have added additional voices. In the first pass (10 bars) the canonic voice at the lower octave starts two bars later. In a second pass, the first two measures of the lower voice are added, which are the same as the last two measures of the upper voice. This can be repeated in a loop indefinitely. But what I did on a third pass, is to add an upper voice throughout the canon, and a bass voice in the last measures. The compressed score is this. In the attached pdf I have “unfolded” it. Omitir en primer pase = Omit in the first run Voz superior solo en tercer pase = Upper voice only in the third run Voz inferior solo en tercer pase = Lower voice only in the third run
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