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Found 2 results

  1. GospelPiano12
    Working on a 5 part rondo piece These are the key areas I'm thinking of going with -- Bb -> Db -> Bb -> G (with some modal mixture from gm) -> Bb - For my modulation to Db, I took some jazz inspiration, and used my Bb in the flute melody to make an Ab9 chord (V7 in Db), and then a CT dim7 chord before landing on the tonic, but that transition could be smoother. I'm going to use that same chord as a Tritone Sub (or a bII - almost a Neopolotian 6th) to modulate to G Major. - I feel like my melody sounds too "rigid" if that makes sense; I almost always start with my harmonic progressions and after I get all that figured out is when I go back and write a melody to match or compliment it. I would appreciate your feedback - thanks in advance!
  2. drshirleydma
    HARPINATIONS: recent release by ArpaViva of 4 harp compositions composed and performed by Shirley Meyer Blankenship: Metaphysical Waltz, Peace for Guidosan and two works for viola and harp: Fantasy I and Fantasy II with Rudolf Haken, violist.
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