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Showing results for tags 'dodecaphonic'.
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Joy Comes in 'Mourning' is a piece for three string players that serves as a reflection on the experiences of a music student in the collegiate environment. The piece, alluding to a phrase found in the Hebrew Psalms, reflects on the inner turmoil and eventual overcoming of pain, process of recovery, and result of joy in the end. Structured in Rondo-allegro form, the piece guides listeners through the composer's introspective journey. It begins with a dodecaphonic canon that pictures the composers internal reflection acting as the first two themes motivic material. It then transitions to a frenetic section of pizzicati, and concludes with a broad statement of hopeful anticipation looking into the future.
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As promised in the other thread, I share with you the results of the «Dodecaphonic survey». A brief summary: Here is the full article: Who cares if I listen? A study of dodecaphonic music enjoyment. Thanks to everyone who took some time to fill in the answers, I really appreciate. -
This piece is in the Rondó Form. There is a main subject (tema principal) and three subordinate themes. So the structure is ABACADA, the A part has always been modified. I have used the "classical" atonal system described by Schönberg and "friends". The dodecaphonic matrix is this: Several series are combined to achieve the variation and to create tension and rest (they are not randomly combined, as many people think about atonality). The series are notated in the score. Rondó.pdf Rondó.mp3
