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have been working for a while on my first proper attempt at writing a piano sonata. Here is the complete double exposition, albeit un-orchestrated. I would much appreciate feedback + ideas on how to approach writing the development section. The development section is already underway but, it has not reached the same level of completion as the exposition. Also, ideas on orchestration would be appreciated as well as comments on the form. soundcloud.com/louis-fletcher-433112829/concerto-in-b-minor-double-exposition?si=d7e98d79d30642e3add8de4aebcf2e91&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Concerto_in_B_minor_-_Development.pdf (59.81 KB)
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As I am new to this forum I guess I should introduce myself: I am a Norwegian hobby musician and have played classical piano for about 25 years. I play synthesizer in a band and I now and then write some music. Last year I challenged myself to write one song/melody every day. I have very little education in music theory, but I have a fairly good ear. Recently I found a new challenge: I want to write a fugue. I have read up on writing fugues (especially the Crash Course from this forum), and after some trial and error I have finished the exposition. The subject is the opening from a well known Norwegian lullaby. I am sure there are many counterpoint and style errors, so I would really like some feedback. I've read everywhere that after the first answer one should modulate back to the tonic, but I feel that it worked going directly back with only one eighth note in Bb. I also added an extra measure before the last answer as it gave a nice finish to the melody in the soprano. So there it is, please let me know what you think. So_ro_lille_mann.pdf So_ro_lille_mann.xml
