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Found 2 results

  1. Hello everyone! Yesterday I was considering participating in the 1 minute Fugue challenge that has been opened recently so I started composing a 1 minute fugue. However, since I only had a few hours I did not give it too much though and started composing by ear (without theoretical thinking) with the first subject. I decided I wanted to have a real answer in the exposition and that was a mistake. Because of the real answer, It is quite dissonant at times with some suspensions as soon as the real answer starts, so it probably does not work as a proper fugue exposition. Because of that, I was going to call it "Strange Fughetta", but I just though the title might be funnier (for me) in Spanish. So I named it "Allochthonous Little Fugue" (I just found out the word Allochthonous exist in english too). The Fughetta form is the following: [m.1 ~ m.15]: Alto voice in Cmin --> Soprano voice in Gmin (real answer) -> Episode --> Bass in Cmin. [m.16 ~ m.19]: Canonic episode based in few motives of the subject. [m.20 ~ m.23] Subject in Cmin (tonic) by the Soprano with dominant pedal in Bass. [m.24 ~ m.29]: Ending Thank you!
  2. This is my very first fugue-stuff that I actually was able to finish, and I would like to have some feedback of yours, good/bad, hot/cold, I can handle both, I'm here to learn! 🙂 Fughetta No. 1 I am not even sure if this is a fughetta or just an imitation or however they call it. I'm interested in any kind of tips you might have for me, especially counterpoint and fugue tips/technics in this case. Everybody have a nice day! Regards, Lotsy
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