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Piano piece I wrote, any and all feedback is appreciated

Lately, I've had a brutal case of writer's block. I've had all sorts of ideas floating around, but nothing seems to coalesce. Just fragments. This piece is, essentially, my attempt to break out of my frustrating lack of inspiration. I've never written an "impromptu" before. I didn't go into it knowing what I was writing. It just sort of ... emerged this way. https://app.box.com/s/ohe4i9u2jw7cqw4xyi7pak7plsnucgvs (Impromptu in G Minor -- WAV File) https://app.box.com/s/pc8l32bqrc7kjh428f2cugyg4refcnck (Impromptu in G Minor -- PDF File)

Thought I would share a draft of my final project for a composition course, covering the common practice period and ending with the Impressionist and Expressionist movements. I make use of chord extensions, non-traditional cadences, and modalities such as Dorian and Lydian as well as moments of E Major and E Augmented. Ballade-like accompaniment prevails, and 2:3 or 4:3 polyrhythms are often present. The form consists of a 4-bar introduction, a repeated A section, a repeated contrasting B section, and then a final nod to the intro and the first phrase of the A section. I'm not sure what that form is called. The music came to me before the conceptual title I have attached to it. In retrospect I noticed how the harmony seemed to constantly alternate between dark and bright, which reminded me of clouds passing over the sun. The piece has a quiet, moody opening and closing and lighter, even magical moments in the middle. Any constructive criticism is welcome! Thanks, Gwendolyn

https://app.milanote.com/1TII471vkUth6Z?p=DtciXzL9BNN I wasn't able to upload my mp3 or ss so I've added an invitation link into the post. (Let me know if it doesn't work) I'm currently in Year 11, studying a Year 12 subject, AIF. One of the criteria for this assignment is collecting external feedback from experts (Expert just means someone who has experience in the chosen area). I would appreciate anyone giving me some feedback, and helping to guide me potentially.

Hi, this is a side piece that I've worked on whilst I work on the revision for the Alula Variations (I love doing reworks on a 30 mins piece's score hahaha....). I chose bassoon and flute because I kinda wanted to write a chamber piece and write for bassoon. I also like the vibe of the OST. So yeah, hope you enjoy!

Hi everyone! I’m new here — my name is Dima Kravets, and I’m a composer and piano student. I've been involved in music since the age of five, first as a professional pianist and later as a composer (for quite a few years now). Piano has been my lifelong focus, while composition started as a hobby—something I’ve dedicated countless hours to, creating new music from scratch. My main inspirations come from classical, cinematic, and contemporary music, and I strive to compose in all these styles. Until now, my works have been mostly for piano and chamber ensembles, blending elements of classical, romantic, and modern music. I’d love to share a short composition of mine — a romance for piano and mezzo-soprano. It’s based on a poem by the Ukrainian poet Pavlo Tychyna, and I’ve also provided a simple English translation of the lyrics. I’d truly appreciate any feedback, professional advice, or even a short comment. Looking forward to hearing your thoughts — thanks for your time!

Hey, Please could you look over my composition and suggest improvements :)) Thanks so much; I'd really appreciate it! DoYourDailyDuo Rondo in f minor 21 Feb.mid Rondo in f minor 21 Feb.mid

monrova – Kumarjit Dey Sheet music for Piano, Violin (Solo) | Musescore.com Please give me your honest feedback.

Here it is on musescore: Reuss Express Came up with the melody while improvising. Let me know what you think of it.

Hello everyone, I’d like to share my new piano sonata, "Rebirth". This is a single-movement large-scale work that follows sonata form, incorporating smaller inner sections and a fugue in the development section. I tried to build a thematic transformation throughout. I finished it some time ago, but last week I finally got around to inputting the notes into the software (it was actually written on paper in pencil, though). One day, I’d love to dedicate a month or so to detailed performance work on this piece and make a real recording. Anyway, for now, I would appreciate any outside opinions and suggestions, points of view, etc. Why I wrote this piece The main reason I wrote it was simply a strong desire to compose something substantial for solo piano, using some contemporary compositional approaches while mixing them with traditional techniques to create a coherent storytelling experience through music. I would love to hear your feedback on the composition, structure, and, especially, emotional impact. I am especially curious to know if my ideas work on paper. Any thoughts or constructive criticism would be greatly appreciated! P.S. I added time-codes with some Structure indications to the video on YouTube. I hope it helps in some way! Thank you for your time and attention, Dima

A small piece that I recently reviewed. Maybe someone will like it.

Arabian Hungarian Tango revised.midArabian Hungarian Tango revised - 完整总谱.pdf No idea how to come up with a good second theme. Don't know what style it could be as of now. Suggestions are welcome! (The tango being from Argentina and Uruguay, both former Spanish colonies. Gypsies from Spain (Gitanos) became part of both Argentina and Uruguay. The Arabian tinge from Spain being conquered by arabs. I suspect thats how they fit into this fragment)

Introducing the Tunescribers Arranging Competition 2025! Are you ready to put your arranging skills to the test? The Tunescribers Arranging Competition 2025 is your chance to create a unique solo piano arrangement and compete for fantastic prizes, industry recognition, and a chance to showcase your work to a global audience! How It Works 🔹 Receive the prompt – On 1 March 2025, you'll receive a public domain melody and one other creative prompt to guide your arrangement. 🔹 Create your arrangement – You’ll have until 14 March 2025 to craft a 2-minute piano arrangement that’s playable by a human pianist. Any style, any genre. Do anything you like to the prompt melody – play it backwards, upside down, chop it into tiny bits – get as creative as you can! 🔹 Submit your work – Send us your notation file, PDF score, and audio mockup using our simple submission form. 🔹 Judging & Public Vote – A panel of expert judges will evaluate the shortlisted entries, and a public vote will determine the Audience Favourite winner! Make sure to follow us on social media to be the first to hear when we announce the judges. 🔹 Winners Announced – Results will be published on 14 April 2025. Entry Fees Early Bird Standard Early Bird Entry + Critique Standard Entry + Critique Standard $12 $15 $45 $50 Concessionary $8 $10 $20 $25 All prices shown in USD Choose your ticket: Concessionary: Entry for those aged 16-21, in full-time education, or over 65. Proof of eligibility may be requested. Standard: Regular entry for all participants. Concessionary + Critique: Entry for those eligible for the Concessionary tier, plus written feedback from the judges on your arrangement. Proof of eligibility may be requested. Standard + Critique: Regular entry, plus written feedback from the judges on your arrangement. All tiers are available with an Early Bird discount if you purchase your ticket before 16 February 2025. Free Entry (Financial Difficulty): For those experiencing financial hardship, a limited number of free entries are available. To request one, email info@tunescribers.com. These will be provided on a no-questions-asked, first-come-first-served basis. Prizes 🏆 1st Place – $500 cash, publication on Tunescribers, and a perpetual license 🥈 2nd Place – $100 transcription credit and a perpetual Cantai license 🥉 3rd Place – $50 transcription credit and a perpetual Graphical MIDI Tools license ✨ Honourable Mentions – Recognition on Tunescribers’ social media 🌟 Audience Favourite – A professionally recorded piano performance video of the winning arrangement (subject to playability) Critique Tier: Receive Personalised Feedback For those looking to improve their arranging skills, our Critique Tier offers detailed, constructive feedback from our panel of judges. If you select this option, you will receive at least half a page of written feedback, covering: Your harmonic, rhythmic, and structural choices. How effectively your arrangement develops the given melody. Playability and practical suggestions for performance. Suggestions for improvement to refine your arranging style. Critique Tier feedback will be delivered no later than 14 May 2025. This is a fantastic opportunity to gain expert insights into your arranging style! Key Rules & Guidelines 📜 Your arrangement must: Be an original work based on the provided melody. Be playable by a real pianist. Be no longer than 2 minutes. Be submitted in PDF, notation file, and MP3/WAV formats. 📌 Read the full competition rules & T&Cs here: 👉 Competition Terms & Conditions Stay Connected Follow us on social media for updates and behind-the-scenes content: 📷 Instagram: @tunescribers ▶ YouTube: @tunescribers 🎵 TikTok: @tunescribers 📘 Facebook: Tunescribers Share your journey using #Tunescribers! For any questions, contact us at info@tunescribers.com. We can't wait to hear your arrangements—good luck! 🎶

Hey guys... Im bad about prematurely sharing things. Sure, it was mostly finished before, but I felt it was missing something. The key is now written in D Minor (my favorite key tbh), and I added a bridge section to it as well. It felt too repetitive to me, honestly without something to break the pattern... Let me know what y'all think? 🙂

This is not the current version - See the new post here for the most updated version, with new context.

Hi everyone, I’m new here! I’ve seen a few other pieces of music shared here, and it seems like the perfect place for me to join in. I’m a French student, and I’ve spent 12 years studying piano at a conservatory. Recently, I’ve started composing, and I feel confident enough about what I’ve created to share it with you. Right now, I don’t have anyone around for active listening, so I have no idea how to assess the quality of my compositions. I’d really appreciate honest feedback (whether it’s theoretical or just based on your feelings) to understand where I stand and how I can improve. I hope you will feel as much emotion listening to it as I did composing it 😀 Thank you in advance for your time and your insights!

Hiiii! I'm back!!!!!!!! This time I wanted to share with you a modal practice my teacher asked for!! Hope you like it! Ejercicio No 13 1.mp3 Ejercicio No 13 1.pdf

A jazzy pastoral short piece I composed last winter. Enjoy!

Dear friend, It is a pleasure to send you the following information on the new competition: 17th PIANO COMPOSITION COMPETITION FIDELIO 2025 VIA THE INTERNET (Two new categories added this year!!) No matter the distance, you participate at home! Entering this competition is very simple, all you have to do is to record your own piano solo composition and upload the audio file from our website or send it via email to concursofidelio@gmail.com You don't need to submit the score, just the audio file. In this competition you are both competitor and judge, choosing the winner by voting at home for the best work. All the voting results are sent to you via email so that you can check both, the votes given and received by everyone.. During the voting process you also receive comments on your work or works written by the rest of the contestants. Very important: The composition submitted cannot last more than five minutes. Only the entrants vote to choose the winners. Money Prizes: Cash up to 2000 euros plus diploma certificate and cd's Entry fee: 25 euros per one composition submitted. (maximum allowed per category: 5 compositions) 15 euros each submission for two or more compositions THIS YEAR: The organization has decided this year the following change in the voting system: The results of the first, second, third, fourth, and semifinal round will be decided by the participants, on the other hand the results of the final round will be decided by the participants and also by an external jury of composers. You can participate with your name or pseudonym. You must be the author of the composition submitted. NEW THIS YEAR!! The competition is divided into four styles or categories so that you compete against works of similar style: 1. Tonal (any style is accepted) 2. Atonal (Contemporary style) 3. Piano four hands (New category added this year) 4. Variations for solo piano on the theme "Hark! The Herald Angels Sing" (New category added this year) No matter the distance. This Competition is celebrated via the Internet. Pianists from more than 40 countries join this competition every year. You participate from your house along with composer pianists from EE.UU, China, Canada, Germany, England, France, Spain, Russia, Bulgaria, Brazil, Japan, Iran, Chile, Holland, Israel, Sweden, Norway, India, Belgium, Portugal, Argentina, Venezuela, Italy and many more.... More than 1200 pianists have already entered this competition during the fourteen years that it has been held. REGISTRATION TO PARTICIPATE IS OPEN. ENTRIES DEADLINE BEFORE STARTING TO VOTE: January the 31st 2025 Click on the following link to register in case you are interested. You can also listen to the past year's winning works and read some testimonials: https://concursodecomposicionparapianofidelio.com/# https://concursodecomposicionparapianofidelio.com/ganadores-ediciones-anteriores/ We would be very grateful if you spread the word among pianists and composers. With best wishes Antonio Ruiz Asumendi (organizer) Taller de Músicos y Artes Plásticas, Editorial Centro Integral de Música y Artes S.L de Madrid

So i wrote this rondo a while back in late classical era style. the form is ABCBA which is the exact form of mozart alla turka rondo.

Saigai Go.pdf Sg.mp3 This is a piece that was originally Edin's Piano solo composition. With his direct approval, I wanted to give it some color, and this is what I came up with 🙂 It may be rough around the edges in terms of its grammatical correctness, as I wrote this one some months ago, as I were re-learning things in the music theory realm of things. Go easy on meh I was rusteh xD

Lamentation.pdf 20854795.mp3 Here's a piece that I wrote recently named "Lamentation". It features a Mixed group of instruments that include those found in Concert Bands commonly, a standard group of strings, limited percussionists, and a Piano. It was written to represent some of the feelings I've been dealing with in my life, through the last 4-5 years, given how roughly things have progressed in my recent life. Long story I won't bore you with. But nevertheless, this was, in my opinion, the best way to express those emotions and frustrations without using words, and I feel I hit the ball out of the park, in terms of encompassing that. I'd love to know what the community thinks. 🙂

First post in a looooooong time. Some background on the piece is in video description. All constructive feedback is welcome. Nga Mihi, Arjuna P.S. I'd like to thank our very own @Henry Ng Tsz Kiu for the recording.

Hi, today my music "Cranes Are Inside U" was released on YouTube, most of which is played on the piano, and I am very worried if people who really like piano works will listen to it. Please tell me how to help them discover my music.