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Hey, I have been tasked with arranging, "Gentle Shepherd" for an instrumental duet for a wedding. Right now it sounds very solemn - like something you'd play at a funeral, but I want to add some brightness to it, but not sure how. I think the timbre of the flute may be the culprit here, as it sounded much brighter with two violins. Overall, I like the sound of the piece - I think I stayed true to the original feel of the song, and I put my own spin on the harmony through various suspensions (mainly 4-3 and 7-6) and moving lines. I did try and keep the rhythm pretty consistent in the moving lines - sticking to the dotted qtr-8th-half pattern. I'm open to any feedback you all may have - thank you. -
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1. Prèlude et Sonata.pdf 1. Prèlude et Sonata.mp3 Hi, so i'm making this small sonata but i'm struggling a lot and don't know how to continue, any suggestions? thank you -
Hi all 🙂 I'm glad to present you my new étude for string quartet. Hope you'll like it 🙂
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Hi all 🙂 Here's my last work : Hope some of you will like it 🙂 Have a nice day
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Hello, This is my first post on this website. I am a radiologist doctor in Thailand who really loves composing music. This song was originally written as slow ballad music sung in Thai language. Later I made this arranged version. I record this on Sonar. Love to hear your comment. PS. You can also check other works I compose on this soundcloud account! https://soundcloud.com/charat-chukiat/i-cant-forget-you -
Hi all 🙂 Here's a short (2'30) attempt at a string quartet. Any feedback appreciated 😉
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Hello everybody! I am very busy with my final exams and auditions, so that is the reason why I have not been online for a while. Anyway, I composed a new 'neoclassical' composition for string quartet. Each movement is based on the letters of one of my friends' name. I used the letters A, B, C, D, E, F, G and Ut, Do, Re, Mi, Fa, So, La, Ti. The duration of each movement is pretty short, because I wanted to have the movements in balance. Some themes are namely pretty hard for me to compose more than two minutes. Enjoy and please comment! Sharing your opinion means a lot too! Maarten
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Hello! Sometimes I just need to write and write and write... without thinking about whether people will like it or not. I decided to compose a piece based on motifs. This time, I decided to compose another neoclassical composition: String Quartet No.2 ''Cuckoo'' in G, Op. 65. The music is meant as a sort of scherzo. The main motif is the sound of a cuckoo. This string quartet consists of only one movement, which is in sonata form. Feel free to comment! Maarten
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So after writing music for quite some time, I realized that I haven't formally tested out the Minuet and Trio form. Thus, I've decided to give it a go to see what would happen. Reviews would be nice! Hopefully it'll be part of a bigger work (such as a multiple movement string quartet). Format of composition: Theme - Trio I - Trio II - Coda
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Hello! You may perhaps have seen the collaboration topic for Theme and Variations on a Dutch folk song ''Sinterklaas is jarig''. Since I don't get any variations, I have decided that the piece is finished now. I want to thank all participants for their submissions, which are all great! It was fun to have so many people submit a variation, so maybe we can do more collaboration projects on the basis of simple songs. Theme: ''Sinterklaas is jarig.'' For more info, see below. I made a mistake by confusing the song ''Sinterklaas is jarig'' with ''Oh! Kom maar eens kijken.'' The latter is incorrect. Variation I. @MusicianXX12 Varation II. @Luis Hernández Variation III. @ilv Variation IV. @MusicianXX12 Variation V. @Maarten Bauer Variation VI. @Maarten Bauer Variation VII. @DirkH Variation VIII. @Aure_liano BACKGROUND INFORMATION The theme is a Dutch / Flemish Saint Nicholas (Sinterklaas) song. ''The feast of Sinterklaas celebrates the name day of Saint Nicholas on 6 December. The feast is celebrated annually with the giving of gifts on St. Nicholas' Eve (5 December) in the northern parts of the Netherlands and on the morning of 6 December, Saint Nicholas Day, in the southern provinces of the Netherlands, as well as Belgium, Luxembourg and northern France (French Flanders, Lorraine and Artois). The tradition is also celebrated in territories of the former Dutch Empire, including Aruba, Bonaire, Curaçao and Suriname.'' (Wikipedia, n.d.). To practise your Dutch, here is a special episode from 2016 when Sinterklaas arrives in Maassluis. The text in this theme (there are many variations) is the following including the translation: Sinterklaas is jarig! 'k Zet mijn schoen vast klaar. Wellicht dat hij hem vol doet met, ja wist ik het maar. Hier zet ik wat water en wat hooi voor 't paard, want dat trouwe beestje is het heus wel waard. It's Sinterklaas' birthday. I'm putting my shoe down already. I hope that he will fit it with, if I only knew... Here I put some water there some hay for the horse, because that faithful animal is really worth it. Sinterklaas is jarig 5.0.mp3 Sinterklaas is jarig 5.0.pdf Best wishes, Maarten
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Hello everybody! I just finished my Piano Concerto No.1 ''Octaves'' in f minor. The Concerto consists of only one movement: Allegro con brio. The music is, of course, written for piano and string orchestra. The goal for me to write this piano concerto was to learn more about how to write for piano and how to write in a more classical, early romantic style. Note that I added some more contemporary elements as well. The concerto is in free Sonata Form: Exposition - Exposition repetition with piano (classical) || Development (many more modern elements) || Recapitulation without the second theme. I ommited the second theme in the recapitulation, because I felt like this theme was already 'mentioned' too frequently. Furtheremore, ending with the first theme sounds fine to me. What do you think about the music? Particularly the development? *The lay-out of the score still has to be done. Piano_Concerto_No.1_''Octaves''.mp3 Maarten
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[STRING QUARTET] Variations on a Dutch folk song
Maarten Bauer posted a topic in Collaborative Works
Hello everybody, It sounds very interesting to me when we have a collaboration project in the form of Theme and Variations. For the ones who don't know what this form is: you compose one or more variations on a stated theme. A clear example is Mozart's Dodici variazioni su 'Ah, vous dirai-je Maman': How does it work? You can compose as many variations on the given theme as you want. There are a few rules / points: Only write for the string quartet (1st violin, 2nd violin, viola, violoncello). Not all variations have to contain all instruments, so you can also compose a variation for string trio (violin, viola, violoncello) or a solo passage. Make sure that the theme is recognizable or at least fragments of it. Every style is accepted: contemporary, classical, Pop, Jazz, minimal etc. Variations may not be longer than 2 minutes. When you have finished a variation, please post it in this topic with the following files. This namely saves a lot time for me to edit the final version. PDF file of the score and; Midi file and; MP3 file. You can be as creative as you want! Theme ''Oh! Kom maar eens kijken!'' Oh! Kom maar eens kijken!.pdf Oh! Kom maar eens kijken!.mp3 Oh! Kom maar eens kijken!.mid If you are interested and want to compose a variation, please sign in for this project by answering yes in the poll above. Good luck! Participants: ---------------------- -
Do string players want me to notate spicatto and other techniques? How are they written?
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Hi Everyone, I have started writing this piano work including a Piano solo and the string orchestra. I think I have introduced some themes into it, but are the themes insufficiently developed? Most of the time I tend to end a theme too quickly (maybe?) and start another, causing poor connection between them. (For example, mm. 29-30, 69-71, 89-90, 95-96 are such transitions) I don't have much knowledge about "bridging" motives, so I sincerely ask for some suggestions for it. Is the harmony good too? Any other comments are appreciated:D Thank you! Regards, HoYin -
What instruments are in a standard String Quintet, Sextet, Septet and Octet. Is there a standard instrumentation?
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Waiting for comments :) thanks
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Hello everyone, I'm new to this site, but it looks like a good place to get some feedback. Please take a listen to the attached piece for string quartet and let me know what you think!
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To celebrate this day, I've been working on this piece. It's a big canon in prolation. It's not a live performance, so the slurs are for expression (for the software to do them).
