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If music is to be considered progressive as it should be from less advanced to very complex, i offer the question to somebody on this forum & website as to what is the latest experimental musical theory today so that i may play around with it being up-to-date on the latest musical college or concervatory theoretics both in solo & orchestrated works. I may have touched on the answer to this question without being aware of it in some of my personal compositions in which i always consider innovation a top priority so that a kompozer may be dealing with the latest musical development on the planet & maybe even beyond say a comparison with a hypothetical yet presently unreachable advanced alien race. Say the latest most complex harmony being utilized like octonic chords so on & so forth. I am assuming that an octonic chord is a block composed of 8 tones. I think the answer to this question would reveal the latest musical challenge as some sort of music puzzle or brain-teaser that is very difficult to answer proposed to the brightest musical minds having extensive background from pythagoras & the pythagorians to complex contemporary musical theoretics & acquired musical laws along the way written & incorporated for the latest musical applications in entertainment. I really need an answer to this question like in the intro to this site offers the service of answering such questions by professionals, students, & amateurs. :nod:
