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Found 1 result

  1. Maximus
    Some composer (Think it was Strauss since it was from Berlioz's Treatises of Instrumentation edited version), once said that to write an orchestral piece, one must start by writing a string quartet. What are your opinions on that remark? For those who write compositions that are more to the orchestra rather than the chamber side, where did the learning process start and what steps did you find were the most important on the way (e.g. getting critiques or getting your music played). Once again, the reason I'm posting these questions is to get people thinking about what they do and to share ideas + tips. This is why the forum was set up, no?
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