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Showing results for tags 'trombone'.
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Here's another one for y'all. I wrote this one earlier this year, while I was getting my bearings with composing again. I started with Brass Quintets and other small ensembles, just to get the hang of it, and because c'mon.. Who doesn't like a brass quintet?! As the name implies, I ran out of ideas much earlier than I wanted to. The music on the page was demanding to be what it wanted to be, so, I caved in and just slapped in a resolution to what was already there, and this was the results. Let me know what you guys think 🙂 WB Fanfare.mp3 Writer's Block Fanfare.pdf
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The audio is really bad but it's whatevs. The crescendos and decrescendo are supposed to be more subtle and gradual than those in the audio. m.14 is supposed to be a sudden drop in dynamics and m.26-27 is supposed to rise and fall evenly but dramatically. I apologize for the audio its pretty bad. The last sonority is badly balanced and blended in the audio but eh idek at this point. My first composition i fully wrote and am sharing! currently working on a wind ensemble piece so look out for that if you liked this. Welcome to feedback and criticism. I would also any tips relating to composing, online notation software (i use flat.io), or DAW, etc. Thanks! -J Green.xml
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Sntax (prnounced syntax) is a piece for 7+ trombones by Brandon Schwab. This work is a collection of 3 distinct movements for an advanced trombone ensemble. These pieces are each modeled after a specific punctuation mark. Movement one is set to represent the feeling of excitement, jubilation, and significance; evoking the exclamation point. It is bright, and fast, with fanfare elements that break through to a serene, but turbulent section that kick starts the dash to the end. The second movement is a slow, delicate, and unsettling passage, much like a question mark, with ambiguous rhythmic and tonal centers that disintegrate as fast as they coalesce. Lastly, the third and final movement is to represent the period. A punctual, loud, and harmonically exploratory ballad that takes us to the end of the piece.
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Sntax - Brandon Schwab (Trombone Ensemble)
Brandon S posted a topic in Orchestral and Large Ensemble
Sntax (prnounced syntax) is a piece for 7+ trombones by Brandon Schwab. This work is a collection of 3 distinct movements for an advanced trombone ensemble. These pieces are each modeled after a specific punctuation mark. Movement one is set to represent the feeling of excitement, jubilation, and significance; evoking the exclamation point. It is bright, and fast, with fanfare elements that break through to a serene, but turbulent section that kick starts the dash to the end. The second movement is a slow, delicate, and unsettling passage, much like a question mark, with ambiguous rhythmic and tonal centers that disintegrate as fast as they coalesce. Lastly, the third and final movement is to represent the period. A punctual, loud, and harmonically exploratory ballad that takes us to the end of the piece. -
A piece for trombone and piano.
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I was wondering what you guys recommend as a first instrument between trumpet and trombone. It would also be nice if you guys could tell me some things I could do while I don’t have the instrument to practice for it. Thanks!
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So... I want to compose more for orchestra and begin to build a decent corpus. Only thing... is that I'm more knowledgeable on string techniques and writing -with a growing understanding of woodwinds. Brass are my main issues... I just don't know the best ways to compose for them! I get that they can play soft... I understand that trombones and horns can provide nice padding to any texture -but, I'm scared to death to use them because I don't want to overpower the winds and strings. I can hear the brass instruments in my head (which is a good thing for orchestration) -but I still am hesitant to use them. Any tips or suggestions? -
The idea behind the first part of this movement is the growth of material from one note to its full statement. The clarinet, trumpet, violin, vibraphone, and trombone all play there own material treated in this manner. Each statement introduces a new note to their material. The bassoon and bass provide a sonic backdrop to this unravelling. I plan on expanding on this idea in other works -this was a fun idea to work on. Hope you enjoy.
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This is my Soliloquy for Bass Trombone No. 1, my first piece ever composed for Bass Trombone or for any trombone. I hope that you enjoy listening to it. I would hope to hear feedback from a bass trombonist and hopefully have someone play it one day.
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Hello this is an origional composition by me and will be performed by my school's jazz band. Well give it a listen and tell me what you think... sorry for the slight static in the video I have no clue where that came from because my audio file had none of that. Follow me on Instagram @wind_player1 for frequent content. https://www.instagram.com/wind_player1/ Follow my SoundCloud
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I use an electronic loop as an element to provide atmosphere although it's more chamber work than electronica. I've cranked up the piano click intentionally. If you are scratching your head after hearing this, 'that's different', or 'hmm', then I have succeeded.
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I composed this piece last year.
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Hey everybody, Here's a trombone octet I wrote back in 2013 that was premiered at the American Trombone Workshop. All feedback appreciated. Thanks :)
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A maxixe, a Brazilian dance.
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What are some good pieces to study brass chamber music writing? I have an assignment to write a brass duo/trio (I chose a trio) due Friday and I haven't been able to find anything decent.
